A deceptively simple harvest board with a continuous border of stylised wheat ears, the small dots being both decorative and functional as they provide essential reference points for the carver to maintain an even pattern and ensure a seamless join. The skill of carving in the round on a curved surface cannot be over-emphasised, and the collection contains several charming examples of more amateur attempts which have resulted in patterns toppling, bulging and bunching.
1900s
TAKEN FROM THE COLLECTION OF THE ANTIQUE BREADBOARD MUSEUM, PUTNEY:
A rare holly breadboard with delicately carved berries, wheat and barley ears, perfect for gracing the Christmas dinner table. Noticeable is the luxurious deep patina and numerous knife marks on the under-side, either to spare the carving or while doubling as a kitchen chopping board.
1800s, Sycamore, 13″
A well-worn trencher or wooden plate, used on a daily basis by rich and poor alike from the 15th century until the arrival of chinaware. Trenchers began as flat pieces of wood, improved designs appearing later with indents, the larger to retain the juices and the smaller for salt. The latter would suggest it may have been used in a wealthy household as salt was a precious commodity. The town of Abingdon has a rare collection of over 100 trenchers, and the inventories to prove their date of purchase, 1556, for official dinners to entertain local dignitaries. The Mary Rose has dredged up 6 examples, one carved with a rough zig-zag pattern, possibly by one of the crew.
https://ehive.com/account/4128/object/117805
http://www.maryrose.org/fotofriday/
Interestingly they have made a come-back in gastro-pubs and restaurants serving traditional English food, the wood being sourced from South East Asia as England no longer has sycamores old enough to make a standard 12″ plate.
A breadboard dating from the 1990s especially designed and carved by master cabinet-maker Tom Samuel featuring a modern take on linen-fold, the deeply carved swathe of radiating fabric bunching in an off-centre whorl.
Sycamore, 1990s, 13″
A lacquered board with “Manners makyth man”, the motto of New College Oxford (1379), Winchester College (1382) and William of Wykeham (1324-1404), Bishop of Winchester (1366-1404), who founded them. The border is topped by the personal coat of arms of William of Wykeham amid lush acanthus leaves, which both establishments share.
Winchester College describes it thus: ‘argent two chevrons sable between three roses gules seeded or, barbed vert.’ The central silver inlay depicts a hircocervus, a mythical beast with Greek origins, which John Hoskins adapted to depict the many virtues of a perfect servant in 1579. It was located outside the kitchens of Winchester College. A verse accompanied the wall-painting translated from the Latin:
A trusty servant’s picture would you see,
This figure well survey, who’ever you be.
The porker’s snout not nice in diet shows;
The padlock shut, no secret he’ll disclose;
Patient, to angry lords the ass gives ear;
Swiftness on errand, the stag’s feet declare;
Laden his left hand, apt to labour saith;
The coat his neatness; the open hand his faith;
Girt with his sword, his shield upon his arm,
Himself and master he’ll protect from harm.
(Howard Staunton, The Great Schools of England (Shrahan, 1869)
Oak, 12″, Sheffield, 1907
Breathing new life into antique breadboards 