Whole-wheat border

A deceptively simple harvest board with a continuous border of stylised wheat ears, the small dots being both decorative and functional as they provide essential reference points for the carver to maintain an even pattern and ensure a seamless join. The skill of carving in the round on a curved surface cannot be over-emphasised, and the collection contains several charming examples of more amateur attempts which have resulted in patterns toppling, bulging and bunching.

1900s

Happy Hollydays!

TAKEN FROM THE COLLECTION OF THE ANTIQUE BREADBOARD MUSEUM, PUTNEY:

A rare holly breadboard with delicately carved berries, wheat and barley ears, perfect for gracing the Christmas dinner table. Noticeable is the luxurious deep patina and numerous knife marks on the under-side, either to spare the carving or while doubling as a kitchen chopping board.

1800s, Sycamore, 13″

The trencher, ancestor of the breadboard

TAKEN FROM THE COLLECTION OF THE ANTIQUE BREADBOARD MUSEUM, PUTNEY:

A well-worn trencher or wooden plate, used on a daily basis by rich and poor alike from the 15th century until the arrival of chinaware. Trenchers began as flat pieces of wood, improved designs appearing later with indents, the larger to retain the juices and the smaller for salt. The latter would suggest it may have been used in a wealthy household as salt was a precious commodity. The town of Abingdon has a rare collection of over 100 trenchers, and the inventories to prove their date of purchase, 1556, for official dinners to entertain local dignitaries. The Mary Rose has dredged up 6 examples, one carved with a rough zig-zag pattern, possibly by one of the crew.

https://ehive.com/account/4128/object/117805
http://www.maryrose.org/fotofriday/

Interestingly they have made a come-back in gastro-pubs and restaurants serving traditional English food, the wood being sourced from South East Asia as England no longer has sycamores old enough to make a standard 12″ plate.

An exercise in Gothic

Taken from the collection of The Antique Breadboard Museum, Putney:

“Take freely and thankfully”, elegantly incised in Gothic lettering with leafy tendrils playfully interspersed between the words. Like the vast majority of bread boards, no evidence of the workshop, carver, date or location is indicated.

Sizeable crack, sycamore, 12″, 1800s.